TV Man 
 Manchester, Maine
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   TV Man does not employee Bill Putnam but we do work in conjunction with Bill and highly recommends him for high end audio/video repairs, install and sales.

Bill is an avid audiophile with work experiences in both music and electronics. While working for Radio Shack he took classes at UMA for Jazz and composition. In 1979 there was a rumor around town that a crazy man had bought a building downtown and was going to put a high end audio store in. By the end of that year he started a ride thru the second golden age of audio that still should be perpetuated today, its advances have benefited the surround world in many ways. During the last 10 yrs he's spent "preaching the gospel of good audio" to a variety of other AV businesses while focusing on the important aspects of video as well. In his" spare time " he also modifies equipment to fine tune their performance. He also travels to Gorham every week to play and record Casco Bay Concert Band. What drives him today is building good performing theaters and audio systems.

 

Computers can be a handy tool for the nuts and bolts of loudspeaker design, but voicing it so that it reproduces instruments believably is still best done by ear. That's where there are so many opinions. Paul Barton of PSB was becoming a world class violinist when he became interested in speaker design. He started building them in the 70's for his school chums when he became aware of a psychoacoustics program at the NRC in Ottawa and a gentleman by the name of Dr. Floyd Toole.  PSB became the first speaker company to utilize this facility. PSB gets it right!

 

 

 

Value. Dedication. Performance.

 

    PSB

 

 

WE HAVE ADDED ADDITIONAL LINES TO OUR STORE FOR MORE VALUE: BRYSTON,MUSIC HALL,CREEK,EPOS,WADIA,and much more!

There has seemingly been a movement away from the joyful and spiritual deep listening characteristics of the last century. The pressures of everyday life are becoming

more demanding I know and many are forced to do their listening in public places. Compounding this problem there's been a movement in the recording industry to pound

the reality out of music by sanitizing and compressing it to death. The irony is we've never had more dynamic range capability yet the industry seems to want to remove it. Presumably

to make it more listener friendly when it has to compete with other noise. LOUDER is not better!

There are good recordings out there still being made-if we don't support them-they will go away.

if MUSIC IS THE LANGUAGE THAT SPEAKS TO YOUR SOUL than how effective the hardware is in that interpretation should also be part of the discussion.

It's not about elitism or any ism it's about interpreting what is in that recording and doing it as "accurately" as possible keeping in mind the biases of the listener and the equipment designer.

And we all have them. Learning what they are and translating that into systems that satisfy the listener is a skill not easily found. It's more important to find someone with those skills

than just opening your wallet and playing equipment roulette year by year.

Every industry has it's high end, it's where the exploration is done, and it's been the proving ground for many of advances in affordable audio.

Treating this part of the industry as the black sheep where performance takes the place of revenue as the most important factor shows a high degree of ignorance

by the same people pumping out mediocrity.